Filling in the Gaps

Hey, there sports fans, Al here with the latest:

So, in the last several posts, I had previously mentioned how I've had to constantly go over my story of Richard Parker and his watery adventure.

It has been a trial for me. Because like every artist I have ever known, the initial concept NEVER equals the finished piece. Sometimes you can come close to that ephemeral idea, but almost every time, it never happens.

SO as an editor on your work, you have to be super critical of your work. Those other types of artists who think that their work is the shiz are those who don't deal with criticism- of any kind. I think the popular word to describe this is "spreg out."

The only way to grow as a person, both personally and professionally, is through criticism. There is no such thing as bad criticism. If you're honest with yourself, listen and then move forward. Yeah, you might like what they have to say. They'll even try to troll you. But take it on the chin. Right now, there are art critics who roam this town of Portland's art scene that are toxic just by comments alone and have some artists in fear of their professional lives. That is just a side note btw.

With that, a few images fill in the gaps to make transitions between significant parts of Richard Parker's story.

A Combo of images of transitional images for “The Watery Adventure of Richard Parker”

I have been working on the battle before Parker's ultimate demise and strengthening (in my opinion) the reason why the mermaid depicted has an emotional change of heart towards Parker.

As I write this, the Prodigy's "Firestarter" is playing in the background. This song is a great sign to start a fire under me to get work going and finished.

I want Richard Parker's story to be done.

I know that a lot of other people are waiting as well. I know that a lot of other people are waiting as well. They keep asking me about it. Many people want to support the book when it's done, but they've been hearing tales of this epic tale, but the epic continues to keep growing, and it's epic Ness. So I got a finish it. Not only for me but for them, and it'll be a monumental piece of work. So here are some more images of the book groups and pages, and I got to get to work, and this kid is out of here.

An idea for a new mermaid piece - for a 4 year old

 Hey there sports fans, Al here with the latest;

An idea for a new mermaid piece.

I need a not creepy piece of mermaid artwork with earrings and a necklace and a tail and white that has rainbows. I'll see how well I can do that with a piece of black and white or work.

So now the "Say it ain't so show" has been going on for about three weeks now. In that time, I have sold five pieces of artwork. One original black and white of Richard Parker "Cargo Hold of the Deep" four small mounted prints. It's been reasonably successful for me showing people the artwork with them commenting about it. I've had other questions about the work. As you could tell by the beginning part of this blog, I was approached by my coworker. She wanted to have a piece of artwork done for her daughter, who happens to be four years old. Her description of what she likes about mermaids are as follows - "probably with not as long a tail and not and make it not as "creepy. " This made me laugh out loud. Which is four-year-old speak means to make the eyebrows not so pointed and jaggy, and it has to have rainbows.

Please refer to the piece of artwork "Spell Upon Richard Parker."

I might be able to do that. But right now, I'm in the process of working on three new big 18 x 24 pieces of artwork that have already been drawn out they've already been transferred over. It's a matter of just starting to work on it. I need to finish the last the let the previous three, and then start planning for number seven, the apocalyptic forecast. It'll be a 9 x 12, but I need to design that one out.

UPDATE: 8-29-21

Currently, I am looking over some aspects of looking for an artist's agent to help me find other venues to showcase my art. It has been pointed out that I might have to change my subject matter to attain a higher status with more "conservative tastes."

This is a personal choice for me. I can do such pieces (and who knows, I might actually do it just because), but I am not about to just change course on what I have set for myself. I've already changed course in trying to finish Richard Parker, and look where that has gotten me. Closer to being finished, but what does that really mean?

Anyway, heady thoughts for long-term stuff.

And I am outta here.