“His thirst for Vengence is over. Now to embrace the curse.”
Read MoreMore On
“More On the State of the World?”
Read MorePerseverance OR....
“Perseverance. So is it a physical thing?”
Read MoreTwo Days
Two Days before what?
Read MoreMoving Forward
The recognition of the struggle to get work off the ground is what you are looking for from people - not the finished product.
Read MoreUNIFIED - another story idea for later.
“Ancient Migration”
Read MoreLet's talk about Parker
“How bad is it?”
Read MoreFocus. Stay on Target.
Hey there Sports Fans, Al here with the latest:
What is a creative issue that prevents work from being done?
Fear is usually the first one that comes to mind. Real or imagined can cripple the creative spark within all of us.
Misdirection is another. This one is tricky because real life doesn't always run parallel with the creative flow. In fact, sometimes I have found myself falling into this problem because you don't want something to end other times you fall for ... wait for it...
lack of enthusiasm for a project.
I think that this happens all the time to creative people. Probably the best well-known person is Geroge R.R. Martin and the "Game of Thrones" books. It has been shown that he has been busy writing other stories and scripts for tv and buying a ton of stuff that most nerdy collectors would kill for. But he can't bring himself to finish the books. But down deep in the heart of the creative when you are bored of working on a project. Like you would be working at a restaurant in the dish pit and you are doing the same job over and over again your body just goes through the motions and your mind shuts down. It's like that returning to any art project.
HOWEVER, there are times when a renewed vigor comes in like a long-awaited tide to cover the rough edges that you had so many issues with, and then you are left with a self-question "why did I stop doing this?"
What has this to do with anything? Well, funny you should ask the metaphorical question. In my case when I was cranking out a bunch of Richard Parker stuff before the Pandemic lockdown I had a major hard-on for getting my Robot Monster story completed and written and drawn. At the time I wanted to prove to myself that I still could make a regular comic book that I would be into as a kid. And when the lockdown happened I had remarked to my girlfriend at the time, "Well at least now I can finish Robot Monster."
But what of Parker? He rolled out to sea like the morning tide. But with so many things in life like the lockdown, the civil unrest, the break-up from a long relationship, a move, a wildfire threat, rehired, move again, "Last Monster on Earth!" finished and sent off to my editor, and the recent election Parker rolled back in.
And as I had mentioned before - FOCUS.
A large explosion of creativity burst forth - where do I need to fill in the visual gaps to make sense to the reader? If I were picking this up for the first time would it make sense? I will admit that sometimes the burden to see things through is tough because you do sit down at an art table day after day using the same techniques to flesh out a character or general idea. But focus to sit down just to start is a good beginning. And unlike those dishes being stacked there is an end to the story.
Focus.
Moving into the Future
Hey there Sports Fans! Al here with the latest:
I’m not talking about time travel - yet! I’m still working on that. Probably something closer to Donnie Darko.
And I’m not talking about the time change either.
So, people are ramping up spikes - or at least that my opinion anyway from what I am hearing BUT WHAT does that have to do with art?
Honestly, absolutely nothing. Just wanted to say it.
But really, I am going to focus and try to get the remainder of Richard Parker. There I think that I have 5 panels I have left to work on to finish off the book, the story, and everything. And then it's a change-up in the focus of the book and the upcoming show. Hard work first, get the creative part locked down and hi res scanned.
Collate them into a Large PDF format.
Send out a couple of dummy copies to a few people to look over and see if there are any gaps that I am missing in the story and then it's off to the races to find someone who wants to take this monster on OR crowdfund this beast and take it across the ocean (both of them). And then see what happens.
If anything. I have hope because I know that my scratchboard work is very good and yes, I just patted myself on the back but it was worth it. If I can in a small show sell a chunk of my art both original and prints then a collection of the work on one topic should do well.
So that is happening.
And then there delving into the podcasting deal that I brought up this week. That is not just talk, it is something that had been on my mind just like it was when I started thinking about getting into electrical work and a license because there weren't a lot of guys who were doing it or had been trained as part of their job service.
But because I love comic books and mediums of the past. I am not so much into the modern stuff that is coming out. I think Doom was about the most interesting that I have been reading. Though my favorite villain that I have yet to see really done justice is Kang the Conqueror. A time-traveling world despot. I think that is what the world needs right now to unite. One secular focus. My God, what we could do if we all came together. A podcast I think could be really fun. I can't think of another topic that other than talking about trek. There I said it. "It always comes back to trek."
…and on top of that…
There are also the short stories that I have been working off and on again. my version of the future in a story concept called Star Trek Nomad. I have been working out the plot for the story and talking them out loud and soon to work it into a draft of some kind either it being a comic or a novelization. The point of the matter is that the current trek that is out there sucks. I just don’t like murder trek. There isn’t any theoretical science to explore or the morals that intelligent beings have with one another. Even the concept of time travel is messed up. And there are so many things you could explore by asking questions. Again Star Trek is about exploration both of the adventure outside and the struggle to be better inside. This all stems from a response that I had to one of those YouTubers named Robert Meyer Burnett https://youtu.be/_-ckM1fMrKw . At 27min. 15sec in Is a letter that I sent in that started this off. His response to my letter gave me the jumping point to write a story. And that story is still evolving.
On the Air....?
Hey there Sports Fans, Al here with the latest:
Podcasting?
Say what?
That is an endeavor that I am looking into these days. After looking and more likely listening to over the last five months that I was out of work I began to feel disconnected. But as sat I heard a number of people, of everyday commentators who were watching and seeing how the cultural landscape was changing. They felt the same as I did about what was changing.
And it was not for the better.
Pop-Culture has been under attack from many outside forces and internal as well. Now you may have noticed over the years that I had been working towards getting into the comic-book industry for years with not a lot of success. But I still love the medium and still write and draw comic after comic. But money always seems to play the key factor if you are successful. In short, I was not. As a close friend of mine said (to paraphrase) "How much do you make off a comic-book? And then how much do make a single image?" It's apples to oranges my friends and not a single image not selling or being shown = no cash flow.
Along with the free time I had if I wasn't fearful of Wildfires sweeping in and purify the land of all my work and living, the harmful effects of smog town USA, or the massive civil unrest that lurks just beneath the surface ready to explode all magnified by a worldwide pandemic. I had no job and some time on my hands. But the idea of social commentary struck me as "That topic is funny as hell!" Social life has thrown a helluva a curve and not much social interaction going at work or outside of the fear factor of meeting that walking vector point I need to express. Why is this happening? WHY are people being stupid in their writing?
I know myself to be sarcastic and even sardonic at times depending on the topic being spoken about. My ex used to say to me "Why do you laugh at everything?" My response was "Because everything is funny." If I didn't laugh at the hairless chimps I would have already gone mad and be left out on the streets like so many homeless that I have walk past to get to work.
The polarization of modern society is stupid. Using a social platform to cancel people with impunity is stupid. Subverting expectations is stupid. Racism is stupid. Sexism is stupid. Mass media is stupid. Basically, the world in of itself is stupid.
AND how would end all of these social topics on the air? A tag line. Again I refer back to my ex and what she would say to me “Whatever the topic, whatever scene dear listener, it always comes back to trek.” And that does really cover it.
Time and Place
Time and Place
Hey, there sports fans, Al here with the latest:
Well as it turns out, yet another move of a physical means has once again transpired and this kid, this lone artist has once again transported himself to a new/old home. I feel like a member of a Star Ship that has transported down to the surface a planet that I was stationed on and have come back on a new mission. I feel that way every time I step out the door of the house onto the porch and look around. I have moved back into the same old neighborhood, the same ol’ house and friendly roommate, and the same old bedroom that I once had where so many of my ideas burst forth. And with moving into this very familiar area I am visited upon by old habits.
Habits rolling in like wearing a well-worn pair of shoes but with one major change, the looming pandemic. It has left its thumbprint over everything familiar. Old places that I used to roost at, bars where I used to draw are no longer a situation that I can do.
That deal is over.
It's cutting into my business as far as commission go. How does this all relate to art you may say? A great deal, actually as I stopped in at a local bar. As I was chumming around with a few people over a pint the curator of one of my first shows happened to be in and we started talking. Prints might be the way to go along with magnet hangers to hold them up as opposed to frames for the original scratchboard pieces. There was even talk about the small nameplates that are posted with each image with a caveat of “original available” for sale. This could be a new way of looking at selling work. Not everybody has the disposable income that they once had. Shows really how fragile we all are in a situation that shuts down the world.
There is hope that artwork will continue. In an old familiar area, surrounded by old friends who have supported me for a long time. And after all, this has happened new works keep getting created. Once done, they’ll be ready for sale. That is the best one could hope for.
BUT there is one thing during the year that has come around which is one of those dates that I wait for- INKTOBER!
Now of course the beginning of this if memory serves I got involved with it in 2015. Most of the time it has been an interesting event to be a part of. Seeing what I take as a literal word and turn it into something visual. Of course, someone I know had to point out that there was an infringement issue on the use of “inktober” as a brand to another artist that created something very similar to a lot of the same ideas of what creates for the artists. This also comes up when so many people have been polarized by current events in the world. I looked into this a bit and found that the problems exist. What I came back with after reading the article was this: Every artist, every musician gets “ripped off every day”. Is this right? Hell no it isn’t, but people have been doing for years. And it ain’t gonna stop either. Will I stop using the prompts? Maybe. We’ll see. I do know that there are people who during October do post a new image once a day but aren’t using any pre-determined prompts to help an artist generate new imagery. SO there you have it a new move, change, and a place to breathe a little easier.
An Idea...
Unfinished Rough Illustration.
Read MoreThe Move Monkey
The Move Monkey
Read MoreLate Blog for 9/13/2020
Is this it?
Are these last days?
Are they nigh?
Nay, I say.
I am staying as positive as I can that even though to most these days are looking bleak and Grey like the smoke that hangs like a sparely lit specter of doom overhead. And you have say “NOPE! That’s not gonna happen.”
With so many people complaining about this and that I have to wonder if the world and Mother Nature decided that the stupid kids in control of the world need to be spanked. With all the social issues that we have She in her infinite wisdom said “That’s it!”
Now really what does this odd amount of insight have to do with an artistic blog?
Well, I’m glad that you asked. It actually has everything to do with this blog and this artist.
Think about it. I’m an artist living in America in the State of Oregon and which also happens to be one of the centers of major civil unrest – the City of Portland.
Before St. Patrick’s Day earlier this year, everything was going well art was moving forward, stories were being written down, I was living comfortably with my girlfriend. I was getting paid well, bills were under control, new licenses for advancement were being learned, and earned- overall financial plans were being planned for the future.
BUT then a dreaded Novel Virus Named COVID-19 burst out of the Middle Kingdom and decided to put the breaks on everything that made the world go round. Entertainment was the first to spiral out of control and everyone in their “so-called” right minds were canceling each other at the drop of a pin. Politics – always a dead-end when looking for an answer to anything. And the police stepped over the line and the nation exploded with more civil unrest than I think the 1960s did when I was l born.
A breakup happened, a physical moving a living situation within a pandemic and civil unrest going on at the same time. No job. And like Chicken Little is the sky falling now? I keep hearing about asteroids flying by.
“WOW!” was the only thing that I could even think of like this all happen as I slide into the second half of my life. I’m 53 now and mind, you this on the downward slope.
Well as a sole individual illustrator of the comic medium I started thinking how would one cope with all the chaotic turmoil going on around locally as well as worldly? Make a story that chronicles the dealing of a comic artist and his dealings with the antics of the world in a humorous way. It would be an over the top character.
In fact, that’s what story would be called “Over the Top”. And it’s subtitle- A comic book creators survival guide to the modern-day apocalypse.
Now does this have anything to do with Richard Parker? No, not really but that is continuing as well.
Unfortunately, depending on how the wildfires are going south of the Middle Kingdom I may not have the physical artwork but I would have scanned copies on an external hard drive that I could access. At least I would have that.
But now how I would I market that?
Anyway, you can read that my mind is in a unique place right now as I wait for the rain to fall.
This kid is out of here and having to plan the next move.
Blogs and Borgs(?) and A.I.’s oh my
Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.Blogs and Borgs(?) and A.I.’s oh my
Blog for Sept 6, 2020
Hey there sports fans, Al here with the latest.
Well, last week was a bust for blogs as I am adjusting (re-adjusting?) to being at work again but it is not the same as it once was. I’m now a “hybrid worker” which is a fancy way of saying “we need you, but we are going to need you to do this.”
Now mind I am happy to be at work again when so many of my other workmates have been given their walking papers.
BUT there is a physical drain on the kid (runnin’ at a good 50 plus mind you) does take its toll. So with artwork what once was a quick turnaround in 2 to 3 days now is stretching back into a 6 to 7-day exercise.
This does have benefits while working as fast details can be fleshed out. This rocks as far as I am concerned. Being able to pay attention to small things helps the overall image, balance, and impact on the panel. It sounds more hyperbolic than it is.
But Richard Parker is progressing forward and that makes me happy.
There are separate projects that fill this creative mind such as how would I write a Star Trek story without destroying cannon (not the current iteration of the series under Bad Robot/Secret Hideout). I guess the reason I am focused is that the love I have for the franchise is big and I think the Trek and exploration can still be told with thoughtful engaging stories without having to kill the past (to use another beloved franchise terminology).
As I have responded to others cannon is not a hindrance but a strength on which to build on. Those who say cannon is an issue are not fans but passers-by. “VideoBetties” because everything has to have a label on it.
SO where I was going with this is tentatively titled Star Trek Nomad. The pitch is that science has not precluded artificial intelligence if anything the federation has embraced it. And in the process with that understanding has begun to integrate A.I. into long-range exploratory ships along with human and humanoid life to explore past threads of the great tapestry from trek while forging ahead with its own identity.
A couple of rough ideas have already cropped up.
Why is A.I. always in the form of a humanoid?
What kind of ship?
What are the missions?
What’s the ship’s crew like and how does the ship look? Is it similar to what we have seen before or is it a departure. Does it look good in space shots as it approaches another planet?
I mean there are so many variables to think of.
There are several things of sci-fi that I am looking at and reading and delving into robotics and A.I.
And there I am.
But now I am out and got to work.
Blog for 8/23/2020
Hey there, sports fans! Al here with the latest:
Real-world events have changed once again but on a small personal scale. I’m back at work once again am I am happy about it.
I dreamt of a time when I could step back from the working world to focus and follow more intellectual pursuits with writing and art.
That time did come but at a price, the world had to pay.
And at first, I embraced the chance to finish off stories that I had come up with and illustrated. And I was happy with that BUT as weeks stretched into months ( and I am sure you’ve heard this story before) I began to feel stir crazy because I had little to no social contact with any of my friends.
I’m sure pretty much everyone who reads this can understand.
But being back at work does offer some interesting changes and the way I approach doing future artwork.
Never fear, Richard Parker is here!
With the way the new 9” X12” scratchboard pieces have been coming together within a span of a few days each, Parker is still moving forward.
HOWEVER because now of my limited schedule due to being rehired as a “hybrid worker” (this will be making the rounds in the ever-changing American Lexicon) the coloring job on “Last Monster on EARTH!” will be severally curtailed. I still plan on sending the book to Alterna Comics to see if they would be interested in it. I could hire a colorist but that cuts into the bottom line so we’ll see whether a colorist would be a better fit than me doing the coloring.
Now the other story that has been worked on is the bookend to Corpse Cop.
Now all the other initial thumbnails have been completed. And the story is being transcribed to the computer to be dropped into photoshop when it comes to editing which I will be hitting up my friend Paula Akins to work on.
I am keeping my fingers crossed that both stories and characters will be picked up so I can cut her an actual check for all the great work that she has already done on the last couple of Corpse Cop books 2 and 3.
So there you- an update and I hope to keep a week by week update on how things are progressing.
And this kid is outta here!
Hey there sports fans, Al here with the latest:
Well as it stands time does not stand still and having another birthday will remind you that there are still things left to do. And creating and finishing art is one of them.
The work on Richard Parker is moving forwards like gangbusters. I could not have believed that I managed to rally as well as I have during all the turmoil that this beer bug is causing, the break-up, the moving the chronic question whether or not going back to a 9 to 5 kind of job even exists anymore.
But art remains and as I said to many a friend art is the constant that I have in life. Just don’t expect me to turn into Pygmalion.
I am hoping to have about half of the new work to be completed by the time I have to move one more time.
When that happens, I’ll be able to plan a strategy of what I still need to pull off an art show, framing, and matting, and hopefully, I’ll be able to figure out adobe illustrator enough to plan out my international wordless graphic novel. There are of course long term goals that I have in mind that are a little ways off but when it comes time relocation will be happening and it won’t be here in the states.
Hard work and diligence will be my guide.
All I can say is wish me luck.
And I am out of here.
Hey there Sports Fans! Al here with the latest:
Many things artistic are coming back in full swing and this is one of those things - bringing back the black paper white marker!
Sound it might sound like a step back with the progress that is being made Richard Parker and his Watery Adventure. And true, the scratchboard is the ultimate end result of my labors, the white marker black Bristol board was a godsend for me when looking at alternatives for doing scratchboard illustration and crossing over into comic book illustrations at the same time. The end result was the two issues of Corpse Cop issues 2 “Arctic Wolf” and CC issue #3 “Inhuman Torch”.
“Dreams of Elysium” was developed for the original story idea. These illustrations went along the use of a white marker to stand in for the scratchboard for placements of white on black so I would be making a reference of light source for the final scratchboard piece. But the more I got into it the more I began to place and learn to manipulate the white markers and against the black paper. Again I was teaching myself how to see the opposite side of illustration. An Aside: which by the way is another story I want to finish after Parker concludes and Corpse Cop #4 “Death Walks the Stars” is finished. The stories never stopped!
Which comes back full circle just as with Richard Parker concludes with completed scratchboard panels and high res scans of the originals. Couple this as well as the living space I will be moving back into (hopefully in a month's time)! Things are coming back in style! Woot!
A Week of Material
Hey, there sports fans, Al here with the latest:
The Watery Adventure of Richard Parker - as it stands has gone through another set of edits and additions to complete the wordless graphic novel.
While working on this project that has spanned years makes me wonder if Lynd Ward thought the same kind of thing when plotting out his wordless graphic novels back in the 30’ and ’40s? I can’t believe that he would have knocked it out of the park the very first time out.
This project is no different than a writer having numerous rewrites and edits on work before publishing.
Doing art is like that too. Lots of refinements and so on.
Well what I thought
Was the manna from heaven turned out to be a red herring - of a sort.
In between moving, art projects things got separated from each other so I had to go and dig in storage to find what I was looking for. But it came up short on a few topics.
Luckily for me, I left enough threads either written or visual to be able to make a brand new list of panels that are needed for Richard Parker and it's wordless graphic novel format. However, the biggest bonus on this was uncovering many images that were ready to be transferred were already set up for scratchboard. For me, this makes a huge improvement over what I already have. Once I have spent time working on the new list and have everything set up for what new images need to be completed, then Richard Parker can move into the final phases of being done.
Both illustrated, varnished, and framed.
Framing is going to be (I think) the most costly on my end.
Also, prints being made.
WHICH BRINGS me to another point, prints.
Now mind you, this is strictly my opinion for the following but humor me and follow the logic of it.
Since the worldwide pandemic spread like wildfire across the globe, having an art show seemed like, I dunno, a waste of time. I think that most people out there would think that because the buying public does not have the disposable income that they once had. At least as far as buying artwork goes anyway.
Artwork unlike food is a commodity, not a necessity. And with a lot of people out of work, there is no money coming in from showing and selling off art. Currently that I know of from galleries. But there is time for artists to work on their portfolios and build up work for some of those places that have opened up. Showing artwork at these establishments might require a physical place to show the work for longer periods of time since the foot traffic isn’t as heavy as it once was. Thank social distancing for this. This would be something that I think presenters need to be aware of any type of gallery situation.
ANYWAY
At least that is was I am thinking. But I do know this. With the cost being high showcasing originals showing prints might hook art buyers into buying framed pieces rather than the original. I know a lot of contemporaries might not agree with this stance but I'm being realistic (including how hard it is to sell artwork in the first place). Portland has been notorious for being a place where buyers like the artwork but can’t afford to buy the originals. But I think for the most part this is being realistic.
But this all the speculation on my part is based upon what I am seeing coming around. I do know that there have been more online sales of late than there has been in the past. So this is a hopeful sign that people are still buying art. There is a little more research that needs to go into this. And I am not the final say in anything outside of my scope of influence.
But as I said this was my opinion.
But today (23rd) was another break in the amount of preparation that has been done for Richard Parker. Seriously, that is no lie.
In one day after getting all the panels printed on edit sheets, I could see where I was lacking story bits that needed to be inserted into the visual story to make sense sequentially.
Now this is the second go-round on this and I am sure that this won’t be the last time either but I am sure that I can get the rest of the images needed to be jotted down to round out the story as it is.
In this process, other items will be needed to bring things into focus on the project. The remaining scratchboards need to be bought, the tools needed, matting for framing, and the printing of prints.
That takes money and time when you are doing it by your self and coordinating it all.
But in the end, all of it is yours. And that is what makes it worthwhile.
And I am outta here.
Read MoreBlog Post for 7-18-20
Hey there sports fans, Al here with the latest:
Last Monster on EARTH! Enters its editing phase while coloring is being added. The grand task is being handled by Paula Akin.
Bit of background on Paula. She and I met about 6 years ago while being brought together on a small now-defunct film production for Velvet Coffin. I was brought on to help initially with storyboards for the film crew. Paula was a story editor and proofreader.
We began striking up a number of conversations after most of the readings that eventually lead to me asking her to edit one of my Comic book projects - Corpse Cop #2Arctic Wolf and #3 Inhuman Torch.
She doesn’t know it yet but there is another Corpse Cop #4 Death Walks the Stars that is being written and drawn up right now.
So with two books and a third literally a monster volume to edit she may be done with me!
I hope not!
THE REKINDLING OF RICHARD PARKER:
Now, this makes a huge turning point in the development of The Watery Adventure of Richard Parker. Namely finishing the story.
Truth be told that the beginnings of Richard Parker were a little like a shakedown cruise. Seriously, The story both written and spoken to others told me volumes that I needed to rewrite and rewrite the story and origin of Parker. Like any character when first envisioned always go through a change or changes to suit the character and eventually the story and plot. Verisimilitude as a couple you tubers I listen to use to describe TV series in their reviews.
Once I figured out the story and separating the “real” from the “imagined” it became clear and that I was going to have really focus on this wordless graphic novel.
But then came along Comic story called Last Monster on EARTH! And that put everything that Parker was on freakin’ hold. Damn bad sci-fi for having a hold on me!
But that project is completed for all intense purposes. And Parker has been trusted into the limelight again. It was always my intention to get back to this work because there also over the year that I have been inking and lettering LMoE for editing I had been approached by several other people that “Hey, what happened to that deep-sea diver character you were working on? I really liked that.”
Well, that has been re-ignited.
After looking through some of the packed up material during my furloughed status I realized that I didn’t have all of Richard Parker in one place.
Exhaustively, I found an old digital file on one of my old hard drives and downloaded it.
I was very excited about this discovery because the list could help me figure out how many more pieces I still had left to render. But after looking over the list it was a preliminary list of what I had already produced and not yet modified to reflect what I still left to do. Damn.
So I will have to rebuild the list but that is par for this course for me.
But there is one thing that I do know about my personality that with an unfinished project there is always that nagging feeling that will not go away until it is completed. So I am tracking all the pieces that I need to get this project completed.
And on that note, I am outta here.
Got some more investigative work ahead of me.
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